A balsa model of Stonehenge - A view from the northeast.
This model shows what the Stonehengers wanted Stonehenge to look like when finished -- if it ever was! Nonetheless, it should help you find your way around.
The Altar Stone, shown green, is skewed nine degrees to reflect its light onto the male-type Stone 49, placed just inside the 'Doorway between upright megaliths 1 and 30.
Slim Bluestone 49, with its bulbous female partner, Bluestone 31, welcomes high-altitude sunlight into the complex shortly after sunrise on mid-summer morning.
2. Arminghall Henge 3,150 BC. This is where Stone Age folks divided the horizon into 36 lots and set up the Stone Age 10-degree Rule. Note the relevance of numeric 36 to Stonehenge's diameter.
Less than two miles southeast of Norwich city centre in Norfolk, this monument ensured that Stonehenge's axis would point precisely 50 degrees clockwise from the north and before the precise summer solstice half orb at 49. Arminghall's principles were adopted at Avebury and Woodhenge and, as we shall see, a host of others.
Having discovered the timber egg, known as Woodhenge, near Stonehenge while flying over it, Flight Lieutenant Insall looked for similar monuments and found the Arminghall Henge in 1928. However, it was another five years before the monument was excavated, and then only partially by G. Clark, who, incidentally, found no sign of a burial.
Completely levelled these days, the inner ditch of the henge is plain to see by the ring of nettles growing upon it. What a pity, though, that a garden hedge can block the view south to where the southernmost sun and moon set behind the spur known as Chapel Hill. I have lost count of the vistas available to Stone Age folks that have become blocked off. Some of these blockages must be deliberate!
3. Professionals have attempted to establish an axis of symmetry based on Arminghall's timber cove in the shape of a horseshoe, oval, or open-ended egg. Yet even though they failed to find a symmetrical axis, they agreed on an azimuth of 223 degrees. (Azimuth = clockwise from north.)
Here, we will propose an alternative solution.
Chapel Hill is the northern spur of a more significant land mass that runs south of it. A careful study of this spur and its southerly terrain has shown that three peaks manage to appear above and to the sides of it when viewed from the henge. Two of these peaks produce notches in the horizon, marking where the southernmost sun and moon come to the ground when viewed from the henge. A third notch is 40 degrees west-of-south (Azimuth 220) from the henge.
This monument further raises the likelihood that a German tribe, possibly the Michaelsburgers - users of long-necked beakers - entered the country via Yarmouth and the river Yare. Unfortunately for them, the Rhine changed its course and left their mountain-top retreat exposed and separated from their agricultural land, which made it difficult to tend their crops. So they moved away and became lost to history.
I would call the Arminghall Henge - The Woodhenge of Norwich - after Woodhenge near Stonehenge. However, one does wonder what the original builders called it since the archaeological term "henge" converts to mother or womb – believe it!
The Arminghall Henge (we still must call it that) is famous for its eight massive posts in the shape of a horseshoe and is somewhat similar in style to Stonehenge's trilithons.
Standing at least 3 metres high, the near one-megalithic-yard-diameter posts of Arminghall were so heavy that they required long tapering ramps to help in their erection. When in place, however, those posts were likely topped with lintels to help stabilise them - like Stonehenge.
As previously stated, much work has been done to figure out what this arrangement of posts points at, especially since the setting winter solstice sun could once be seen to slide down the side of Chapel Hill as if to take a drink from the river Yare.
Timber posts apart - the central area was level and clean of debris. Conversely, the ditch contained copious charcoal, broken pottery, and many flints.
4. Arminghall used pairs of timber posts to squeeze and define several 10-degree alignments between them. And it's every bit as accurate as the sights of a rifle.
Since Arminghall's posts divide the compass into 10-degree lots, it is logical to assume that the primary alignment also follows this order of 10s. Furthermore, a careful study of the terrain proves that it does!
So, our early geometers had found that no matter where they lived, from John O'Groats to Lands End, the angle between north and east could be made to present an angle of 90 degrees, as did the other three-quarters of the compass. The problem was that the sun refused to conform to these precise angles. And so the ambitious folk of Britain's Neolithic decided to force him to obey!
5. Chapel Hill Spur. Thanks to the offending garden hedge south of the Arminghall Henge, this photograph had to be taken further south and is off a little to one side of the monument’s axis. Nevertheless, it does tell us all we need to know.
A railway cutting passes right through the middle of the spur these days, and where this cutting is approached from the west (to the right in this photo), the rail is elevated to match its height. This is seen through a gap in the trees and below a rooftop. Unfortunately, the railway prevents the sun from reaching ground level and the river Yare these days. (Has BR no respect?)
Of greater importance is a distant landmass that manages to appear over the top and to the left of the peak of Chapel Hill, forming a notch that the 220-azimuth axis of the monument points at. This landmass can be seen beyond the row of telegraph poles and through another gap in the treeline.
It's impossible to make it out in this photograph, but the busy A47 passes over the third landmass to the left of the Chapel Hill spur, and this is where the southernmost setting moon will come to ground in 2033. So please get out there, somebody, and photograph it.
This is something that I wrote and forgot about in my 2007 book "Stonehenge Secrets." (Sorry, but it is out of print).
Far larger than Arminghall, an array of timber posts, 24 in all, and designed on similar 10-degree principles, was found not far from Norwich at Godmanchester. Presumably discovered during gravel extraction, Godmanchester and its cursus were dated 3,800 BC. I want to follow up on Godmanchester one day, especially if I can wrest its coordinates from the authorities.
Meanwhile, consider this important fact . . . STONEHENGE IS AN INTERNAL DEVICE.
QUOTE: "The main concern of the builders was to produce a presentable finish on those surfaces which would be seen from the interior of the site - the exception being the great trilithon." Stonehenge, Page 121. Atkinson R, 1956.
Avebury is an internal device, too. (But that's another story!)
QUOTE: "I observed further that as these stones generally have a rough and a smoother side, they took care to place the most sightly side of the stone inward, towards the included area.
"Avebury, a Temple to the British Druids. Stukeley W, 1727.
6. Castle Rigg Cumbria. A survey by Alexander Thom from page 150 of "Megalithic Sites In Britain." Oxford University Press 1967.
We have already mentioned that Professor Thom became corrupt. Castle Rigg is one survey of many that we will correct. We will fix it because Thom knew that stone circles were internal devices and did nothing about it. So, while his survey seems accurate, his suggested profile - a flatted circle - which passes through the centre of the stones, is wrong.
This survey is one of Professor Alexander Thom's biggest blunders. Furthermore, he did not resolve his Megalithic Yard this way.
8. Only by highlighting the standing stones and ignoring the displaced and fallen could we show that Castle Rigg is an egg, not a flatted circle, as Thom claimed. Furthermore, Castle Rigg is a "Type Style Egg" composed of three rings and a blend radius like Durrington Walls Southern Circle, Callanish's egg, the Woodhenge egg, and several others.
8. Castle Rigg Stone Egg, Cumbria. Strangely enough, this egg is not aligned on a notch like so many are but at the 715-meter-high peak of Lonscale Fell, crossing over the River Greta that feeds into Derwent Water as it does so.
9. Seahenge survey: But not one of Alexander Thom's.
It's been a year or two since my sister and I visited the Seahenge mock-up in the Kings Lyn Museum, Norfolk. Mainly, we were there with a tape to measure the length of its central axis so I could produce a survey to resolve its underlying geometry. Unfortunately, the measurement obtained from the mock-up was an unhelpful 7.25 Megalithic Yards.
Well, that's all in the past because the plan produced by Maisie Taylor, which scales to 8.2 MY and is seen above, is the more accurate. However, this does not change the fact that this survey, produced jointly by archaeology and the Time Team, is corrupt.
Starting the count from 10 ensured the posts were one short and did not give the 56 needed to represent the moon - as do Stonehenge's 56 Aubrey Holes. So, here again, we have misrepresentation.
To confuse things even further, the reader might note that numeric 43 is dropped out and taken for the use of an undersized post, which ought to be classed as 42. My numbers shown in red are correct.
The geometry...
Here, we find that Seahenge was based on a pair of back-to-back half-size 3:4:5 Pythagorean triangles. Therefore, Seahenge is based on the Megalithic Yard. Equally important is the 0.3 offset from which the 4-radius arc is cast. 0.3 MY is 12 MI, further proof of the Megalithic Inch.
Holme II, Seahenge II, placed elsewhere on this site, also proves the Megalithic Inch.
10. The Stone Age hope for a perpetual summer was this: a baby sun called Stonehenge.
6. We now know that the stone building has two centres separated by the tiny triangle's hypotenuse of 30 Megalithic Inches. The small green circle shown above marks the centre of what is popularly known as the bluestone horseshoe.
However, according to Flinders Petrie, the arc upon which the builders erected this "Horseshoe" measures 14.5 megalithic yards. So, to help clarify things, we have superimposed Petrie’s Stone 70, seen coloured red, on top of John Wood’s survey of Stone 70.
Further thoughts to help explain what occurs when people try to complete a folly long after its design was laid down...
Stone 10 is misplaced, as proved by folded tracings. This is crucial because it establishes beyond doubt that the circle around which the megaliths of the sarsen circle are placed measures 36 Megalithic Yards in diameter.
Stone 16. As a further afterthought, the procrastinating builders moved Stone 16 clockwise to increase the amount of winter solstice sunlight that could reach the worked rear face of Trilithon Stone 56. Not that it helped much. What it did do was spoil the integrity of the sarsen circle and prevent its completion.
Stone 11 shows that the builders had stopped caring. This is good evidence that some of Stonehenge's stones were smashed into pieces, and their chippings were placed at the top of Avebury's Silbury Hill.
7. You could, of course, go with this corrupt version of Stonehenge instead!
This ground plan view of the sarsen and bluestone building was published in the British Archaeology Magazine when the British Museum opened its doors for its 2022 Stonehenge exhibition. This plan contradicts everything they and we have learned about Stonehenge. (The editor has since retired).
The solstice line points 49 degrees clockwise from the north because that is what the solstice did 5,000 years ago. But look closely; you will see that it bears no relationship to the monument itself. The authors of this plan have skewed Stonehenge's axis, just as Professor Thom skewed his Stonehenge plan and Woodhenge plan.
The white circle seen passing through the middle of the stones of the outer ring is equally corrupt. No other plan shows it this way. It should be internal to its stones and have a diameter of 36 Megalithic Yards. Archaeologists are instrumental in destroying the Megalithic Yard, which is so vital to the hypothesis of Stonehenge—just as its discoverer, Professor Thom, killed it off when he went "over to the other side" in 1967. You can find the proof of a corrupt Professor Thom later.
Finally, consider the useless scale adopted by archaeologists. A meaningful scale would be many times larger.
9. The same story but told differently!
In a vain search for the impossible, the design of Stonehenge was changed several times. Here, we describe the last version as we find it today.
The final Stonehenge was a glorified cove of upright sarsen stones with lintels, placed inside a circle of thirty sarsens -- also lintled, with an oval setting of twenty-four Welsh bluestones thrown in for good measure.
The modus operandi of coves was first exploited by the henge builders of Avebury, where they had two. Avebury’s main cove looked like a rectangular box with one side left open to admit the sun and moon during solstices and standstills.
Avebury’s coves are five hundred years older than Stonehenge -- so you might expect Stonehenge’s Cove to be more technically complex and splendid. And it is. Known as the ‘Trilithon Horseshoe,’ Stonehenge’s Cove is open to the northeast to catch and amplify high-altitude summer solstice sunlight, as is already explained.
*****
The design mandate...
From a central stake, a circle of thirty-six Megalithic Yards in diameter was scribed in the grass for thirty sarsens (dragged overland from near Avebury - or so we are told) to be assembled around this circle with their best faces placed inward. Short rows of stakes were then set as kicking blocks that accurately placed those stones while being raised upright.
Thirty pits with stakes were needed to complete the outer circle of sarsen stones. However, the builders postponed the completion of the sarsen circle when less than half was built so they could progress with making the cove of five trilithons.
Folded tracings prove that Stonehenge is an asymmetric monument that gave it not one axis but two.
These axes are separated by the tiniest of triangles. The triangle at the heart of Stonehenge is a basic Pythagorean 3:4:5, as are the triangles that form the basis of Avebury's geometry. But Stonehenge is based on the Megalithic Inch, a-fortieth of a Megalithic Yard.
Stonehenge’s Cove, AKA the Trilithon Horseshoe, is asymmetrical.
Most of Stonehenge's stones are set on the primary axis, but the Great Trilithon and Trilithon 4 are based on the secondary. This offset allowed the Great Trilithon and Bluestone 67 to prevent incoming sunlight (which should be regarded as a narrow shaft of light) from passing right through and out the back of the building.
Trilithon 4 was also moved over, but this was to make room for some bluestones in the Oval. This was an oval of twenty-four bluestones, but only nineteen of those stones remain today, all in the southwest. This has caused the Oval to be described as a ‘Horseshoe.’
Like the rest of the building, the Oval is an internal device where the inside faces of its stones are placed around geometry made up of a pair of 14.5 megalithic-yard diameter circles whose centres are 3.5 megalithic-yards apart. 14.5 plus 3.5 = 18 (equals the radius of the Sarsen Circle.)
Three was the most critical Stone Age number because it represented the family.
This can be proven in several ways, especially at Durrington Walls' Southern Circle, with its timber posts placed in threes.
This was not the only message that the Oval hoped to pass on. Adding 14.5 to 14.5, we get twenty-nine, and, adding this to the number of stones in the sarsen circle, we get 59, which is the number of moon cycles in two months. But the real message of conjoined circles is of a coming together, particularly of the sun and moon.
Then there is "Evidence of sexual dimorphism," Darvill: Stonehenge, The Biography of a Landscape. In plain English... Stonehenge's Stone 49 is male, and 31 is female... Like Avebury's male and female cove-stones and the dimorphic pair inside the long barrow known as Waylands Smithy. These, too, are male and female. (Look at the old Smithy on-site photograph reproduced elsewhere to prove it!)
15. Stonehenge and its Heel Stone. 3rd July 2016.
Note how low-altitude sunlight illuminates the stones, and compare this with Avebury's Cove, where Stone Age folks first noticed this phenomenon!
A brass plaque, recently fitted by English Heritage and embedded in the grass, marks Stonehenge's primary axis. The position of this axis is in no small measure thanks to my efforts and marks the axis of the outer circle in red.
The aqua line marks the secondary axis, which once passed centrally through the gap of the Great Trilithon. These axes are 18 megalithic inches apart (14.7 imperial inches).
Standing like an antenna or satellite dish facing the moon, the Heel Stone points some 11 degrees more northerly than Stonehenge's axes and, therefore, aims at where the northernmost moon once rose out of the defunct Larkhill Causewayed Enclosure every 19 years.
The proof of the Heel Stone's alignment can be gleaned from John Wood's highly accurate 1740 survey of Stonehenge. The Heel Stone was revered and unique and was placed in the middle of a circular ditch filled with bluestone fragments.
The last time the moon visited her northernmost position - named "The Major Standstill" by Professor Alexander Thom, was way back in 2005/2006 and was an opportunity missed. The subsequent Major Standstill will, therefore, take place in late 2024.
The good news is that when the time comes, the moon will stick around for a year or more and, weather permitting, should put in a showing or two.
Hopefully, photographers will be allowed to enter Stonehenge during the many unsociable hours needed to get those pictures of the northernmost moonrise. But I doubt it. If not, you photographers get yourselves off to some other monument instead - there are plenty more good targets on these pages.
In our search for further proof of the hypothesis of Stonehenge, we will be looking for more ways of bringing the sun, the moon, and a star, or stars, together in one place.
16. Stonehenge’s Heel Stone.
Note how the Heel Stone's axis - the axis normal to its front face - crosses Stonehenge's primary and secondary axes and the 49-degree solstice of the Neolithic sun. Is there a better way of bringing the sun and moon together? Furthermore, this was deliberate; Neolithic people put the Heel Stone in place -- not nature.
We find the same cross-over principle at Durrington Walls, where the incoming summer solstice sunset crosses the axes of several timber-built eggs of the Southern Circle.
18. Five thousand five hundred cold winters and a Stone Age wish for a perpetual summer, to global warming.
This story begins on a sunny spring morning, many years ago, when a Stone Age farmer called Brennos was to be seen busily preparing a patch of land and making it ready to sow barley seed for a harvest he desperately hoped to get.
It was challenging to control the plough drawn by a pair of powerful oxen when the leather twine holding the contrivance firmly together suddenly broke, and the whole thing fell apart. Having to repair the device so often was tedious work for Brennos, but he faithfully tied its components together again and continued his task.
This is good soil, Brennos thought, as he recalled the bumper crop he had grown the year before; it was worth the effort of reclaiming the land from the trees that once grew there. His wife and children, who followed behind him, were busily engaged with sowing seeds for the harvest the whole family hoped they might get.
This was the year 3,500 BC. The place? - The Kennet Valley that would one day become the Kingdom of Wessex.
Brennos had many friends who preferred to trap prey to feed their families, which was no bad thing, for combined with Brennos's ability to grow wheat and barley, beans, and peas, his family usually managed to maintain a well-balanced diet. Even so, Brennos’s friends still marvelled over his abilities as a farmer.
Brennos understood only too well what they meant. Some years, if the weather were cold, his crops would likely fail. And if it were unseasonably wet at harvest time, his produce would rot in the ground. Brennos was not saved from the constant worry of keeping his seed in good condition for the following year's crop. Were it not for the sun that travelled far to the south every winter, he would not have had this problem, and the ripe seed would be available for immediate sowing.
Brennos stopped to consider the work they had done that day. The oxen had drawn the plough, turning the field into regimented lines of shallow furrows; his wife had placed seeds upon the bottom, and his children had sprinkled fine soil to cover them. Together, they had covered about half an acre during the day. Not a bad day's work, Brennos thought, and he hoped the sun and rain would be kind to his family by bringing them a rich and plentiful harvest.
Later, as the light faded, Brennos unhitched the plough and returned the oxen to their pens, giving each beast a grateful pat upon their bony heads.
Finding their way home in the dark was fraught with danger, so his family stayed together in a tightly knit group, and his boy, who took up the rear, carried a fiery torch in case a wild animal should mount an attack upon them.
Sometimes, the moon's light would help a little, but no moon could be seen on this cloudy night. Thankfully, one of their colleagues had built a fire and stoked it often to help guide them through the ditches surrounding the hilltop enclosure they call home. Once settled, they were offered bread, cheese, and warm goat’s milk to wash it down.
Peering into the flickering flames of the fire, Brennos became more than a little sad when recalling so many of his friends who had passed away the previous winter. That winter had been no worse than any other, but it showed no one any sympathy, and when a mysterious illness swept up through the whole of the country, many of his weaker friends succumbed to it. To cheer him, some of his friends would tell a joke, others would relate a story or two, and some would recall stories of their folklore.
Later that night, the clouds blanketing the sky began to clear, allowing the moon to look down on Brennos’ group as they huddled around the fire below her. And as usual, Brennos's friends tried to explain what the moon was.
The moon had monthly cycles, occasionally turning red, as did his wife, which made Brennos feel sure the moon was female. He often observed the moon and wife as they passed through their cycles, month after month and year after year. The whole group, too, was aware of how the moon waxed and waned and changed her shape, night after night, from a ‘C’ to a ‘D’ to an ‘O’ and back again.
To Brennos, the moon was a live person; he could see she had a face that never seemed to smile. Strange, Brennos thought, how she was forever avoiding the sun. Sometimes, she would appear during the day, but not until she had made herself invisible to him, for she was so utterly shy. She seemed to want to keep as far from him as possible. If only I could bring the sun and moon together, Brennos thought. They might get to like one another. The moon might even conceive a child.
Brennos was brought back to reality by one of his friends who noticed him looking up into the sky, as he often did. This friend suggested they might build a massive mound of significant length (A long barrow) with a portal and chambers at one end to catch equinoctial sunlight and moonlight and as somewhere to inter their deceased colleagues.
They knew of a pleasant place with a commanding view on the other side of the Kennet Valley, and everyone agreed to build the mound there. Who knows what might happen?
They also decided it would be better to construct the chambers from some enormous stones if only they could find some way of moving them. Brennos doubted whether such large stones could be moved; they were so big, but everyone decided to try.
First, they gained experience by moving the medium-sized ones around by turning them into rollers clad in wood. This effectively turned them into giant wheels. Then other folks went to the strangely named hilltops of Overton and Fyfield Downs, where they could find the choicest and best shapes. Then, milling around the largest, they looked under and around them.
These stones exceeded twenty tonnes in weight, and the transportation of just one, having to cross a river and drag it up a hill, was an enormous task.
Some of Brennos’s group chopped down some trees and stripped them of their branches and bark, thus turning them into long wooden posts. Then, using these large posts as levers, with small stones for fulcrums, they released the megaliths from their beds and dragged them to the site.
First, they built the walls to make five small rooms, each one branching off from a central entrance passageway. Next, they excavated the chalk from a pair of ditches on each side of the mound and used it to make it still higher.
Then, they laid massive capping stones across the top to form the roof. Finally, more chalk was taken from the ditches until the whole structure was a gleaming white 330-foot-long trapezium set against a pea-green landscape.
Brennos held a lighted brand against one wall to demonstrate to his friends how sarsen stones reflect light. "Imagine, he said, what might happen when sunshine and moonlight enter the tomb. It might bring their friends back to life.
Brennos and his friends were justifiably proud of the Long Barrow they had built and oversaw the building of several more.
Many years later, the portal of this long barrow was sealed up with large blocking stones after receiving a murdered beaker man, together with his fashionable lozenge-decorated beaker. This accurately dates the event to around 2500 BC. Monuments such as this mound, or tumulus, known as ‘The West Kennet Long Barrow,’ were decommissioned by command. Perhaps the murdered beaker man, found with an arrow in his back, disagreed!
Brennos and his family continued to plough and sow the land to ensure the success of their crops. How well everything grows, Brennos thought, when the sun is shining, life is so much better in the summertime. He wished he could have two harvests a year instead of just one. Then, he could provide food all year without worrying about storing seeds and risking them rotting away every winter. He so wished that the sun could be with him all year round.
Brennos held a few grains of barley in the palm of his hand. Within these seeds, he knew, was the very essence of life, and he realised why he had chosen to be a farmer. He also knew that he only had to bury these seeds a little below the soil's surface, where they were kept warm and sheltered for a while, and the spark of life would begin.
Brennos wondered where the sun came from. It emerged from the ground in various places, stony ground too, but no one had ever discovered any holes from where it occurred. Brennos knew that the sun did not need a hole to emerge from and was, without a doubt, capable of passing through anything. Equally clear was that the sun travelled underground during the night and probably stayed beneath the knolls of Britain, of which Brennos knew several.
The rain also puzzled Brennos because it fell from the smoke that the sun made in the sky. This made him wonder if rain, too, emerged from the ground. He knew some folks who had dug deep pits, hoping to find the sun, but had discovered a water source instead. Others had found choice flint and were in the process of mining it.
Brennos reflected upon their folklore that told of when his ancestors had tried to simulate the sun. It was said that they had cut down hundreds of large trees and turned their trunks into posts to describe a succession of ever-increasing circles. This giant structure was more than three hundred feet in diameter by six men high. Then, according to this legend, they had infilled the gaps between the posts with lots of combustible material and set the whole thing alight.
This legend is based on fact. About 6,000 years ago, a large assembly of over four hundred massive timber posts that radiated outwards in ever-increasing circles was built at Stanton Drew. - See report later. Magnetometry readings taken a few years ago proved that this circle of tree trunks was subsequently burnt to the ground. Sometime later, this massive fire was superseded by a henge and Britain's second-largest stone circle.
Brennos looked up at the sun and wondered if the legend was true. Each post must have weighed about the same as thirty-five men and would have stood in a hole the height of a man.
Brennos held up his thumb, with arm outstretched, and tried to gauge the sun for size. His thumbnail completely covered its disc and was six times larger, so he thought the sun was not very big. However, he also realised that it could not be reached from the top of Waden Hill, so it had to be larger than this. Brennos could also see that the sun was higher than the clouds, which Brennos thought was smoke produced by the sun, which hung around in the sky.
After considering the problem at length, Brennos decided that the sun was a disc, or sphere, of about 1500 megalithic yards in diameter (4,083 feet), and it had somehow become self-sustaining.
FINI
*******
Britain’s first farmers, living in south England, treated Wiltshire’s extensive Chalk Massive like a vast whiteboard to scribe their designs. That is how Stonehenge started, just three circles of pure white chalk appearing through the lush green grass. The circles were complete except for two causeways, the most extensive pointing northeast towards the most northerly risings of the sun and moon. The centre-point of those circles was chosen for one main reason.
This reason is well known, and several authors have already written about it. Stonehenge stands on latitude 51, where the sun and moon make an angle of 90 degrees. So, Stonehenge started by obeying the Stone Age 10-degree rule.
*****
But where does the moon fit in with all this? With a half orb, 40-degree azimuth in Wiltshire, the Major Standstill of the moon already obeys the 10-degree rule—Witness Avebury’s West Kennet and Beckhampton’s avenues, which follow it too.
So, a piece of high ground, a mile to the northeast of Stonehenge, to what is known today as Larkhill, was recognised as a suitable place for more timber posts to track the moon and further establish its northernmost position. This turning point, not unlike a terminus, occurs every 18.61 years. However, while this 18.61-year event is near enough, it is not dead accurate, and the Stonehengers knew it. Hence, fifty-four more posts were added to the Aubrey Circle to represent the 56-year frequency of the moon - the time it takes for the moon to return to the same place from where it started. Of course, even this is not dead accurate, but never mind! Because we now have a fabulous piece of theatre designed to bring the sun, the moon, and the top-most star of the Southern Cross - the red Gamma Crucis - which was still visible from Wiltshire 5,000 years ago - together in one place.
*****
Here are a couple of quotes from the book Stonehenge Decoded...
"I set up my eight-millimetre movie camera with telephoto lens trained down the axis line to include in its field the sarsen circle archway through which the distant heel stone could be seen. We waited. Suddenly, in the band of brightness to the northeast, we saw it - the first red flash of the sun, rising just over the tip of the heel stone!" Gerald S Hawkins, Stonehenge Decoded, P 93.
Two points to be made here are... First, Hawkins believed that Stonehenge's primary axis passes centrally through the gap of the Great Trilithon. It does not. Consequently, his camera was not placed on Stonehenge's primary axis. Furthermore, the sun does not rise "just over the tip of the Heel stone" on summer solstice morning.
Quote... "We had deliberately planned our visit for June 12, nine days before the solstice, because we feared that on the day itself, the crowd would make it impossible to set up a camera on the correct alignment and have an unobstructed view.
"Stonehenge Decoded,” Page 92.
The problem of crowds that get in the way and make it impossible to place a camera on Stonehenge's axis still applies today! The sun rises 'just over the tip' of the Heel Stone twice in June... not on solstice morning, but about five days before and five days after!
*****
Here, we hope to convince you that Stonehenge was built by people who believed the sun to be male, the moon to be female, and the stars to be potential children. This alone should tell you what Stonehenge was meant to be.
*****
This site deals with everything our ancestors got up to that made them think they might have a way of guaranteeing them the three essentials of life - Food, water, and heat. They could grow food as staples, and water was plentiful. But they needed a second sun to warm them in winter and to grow out-of-season crops. It was not that difficult. -- Or so they thought.
As mentioned, some folks built a sun simulator from 450 tree trucks set in nine ever-increasing circles at Stanton Drew. But having set it alight, it proved nowhere near hot enough. So, they thought the sun had to be made of stone. But how to get stone to burn? And how to get it to fly? Those were the problems they faced!
*****
As mentioned above, Picture 1 was taken while standing in the middle of Stonehenge’s solstice doorway between pillars 1 and 30 - "The Grand Entrance" - as William Stukeley called it. The photo shows how the sun has surpassed Stonehenge's axes by some distance to the north. According to the astronomer the late Professor John North, the first flash of the sun in 2,500 BC was 48.5 degrees clockwise from the north - a full 1.5 degrees past Stonehenge's axis. It was further north still in 3,000 BC when Stonehenge was started!
I could not understand why the sun in Picture 1 appears so far to the left of the Heel stone, so I wrote to Wessex Archaeology and asked if they could explain why the sun is not where it should be. That was at least ten years ago, and I now know why. Stonehenge is not perfectly aligned on the solstices - not the summer or the winter.
As a proven internal device with the best faces of stones dressed and pointing inward, the sarsen and bluestone building was designed to arrest and trap sunlight. Its builders hoped to light up the whole of Stonehenge like the sun lights up the Backstone of Avebury's Cove - see photo later. This leaves us wondering - did they know they were adopting modern-day LASER techniques?
Picture 1 also shows how the moon travels about 10 degrees further north than the sun. So, the sun goes nowhere where the moon has not already been.
Cremated human bones were fetched from pyres lit alongside the Durrington Walls timber-built Southern Circle exit and placed alongside the fifty-six timber posts in the Aubrey Holes. The Stonehengers believed that cremation released the spirits of the dead. And, by burying those spirits inside Durrington Walls’s Midden,' yet taking the bones to Stonehenge - those spirits would have to travel the Avon umbilical to join them!
The West Amesbury Henge, dubbed “Bluestone henge,” having circular post holes, was a timber henge, not stone. So, we will call it "The West Amesbury Timber Henge."
This henge, built on the bank of the river Avon, marks the start of the avenue that takes the spirits of the dead overland via Stonehenge Avenue to Stonehenge. This circle of some twenty timbers measures 12 megalithic yards. So, The West Amesbury Timber Henge was one-third the size of Stonehenge. This size, together with the increasing radii of the large curve in Stonehenge Avenue, is further proof of a wish for Stonehenge to grow.
The largest radius in the bend of Stonehenge Avenue scales to 750 megalithic yards. This radius can also be found at Durrington Walls, Avebury, and Windmill Hill.
Caution! The following paragraph was written before the war in Ukraine and the destruction of the Nord Stream 2 gas pipeline and is not meant to upset anyone.
The only hypothesis that fits all the known facts is a prehistoric wish to give birth to a baby sun.
Those who dispute it should spend a killer winter outside without the benefits of gas fires to keep warm and electric lights with which to read a book and light their way. And if that is not enough, try growing out-of-season wheat, barley, and vegetables. Or try picking crab apples, blackberries, and hazelnuts, long-rotted and fallen off the trees.
Please scroll back and press the "Seahenge Holme II" button above.